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tibetan handmade jewelry wholesale "Golden Age" and "Generation Grand Master" are very similar: the title is very large, and he refuses to position his honesty and simply as a biography of a historical figure; the narrative is very fine, perhaps because they firmly believe that "see the true feelings in the bland, Stars are also people. "The lines have highlights. The former is to put the sentences in literary works and historical biography, and insert it on the character's head, and the latter leaves countless golden sentences of" never forget, there must be echo ".
The first experience of watching the film last night.
The ahead of time I watched in Baoshan Wanda last night. After the screening, there was a star meeting. The three -hour movie made my stomach torment, and the fans in the back row were loudly held the seeds of the melon, and the seeds of the melon seeds fell on the ground. It's easy to end, and wait for the star. Tang Wei and Tian Yuan are beautiful, and Feng Shaofeng and Zhu Yawen are also star. In the question session, I got the opportunity to ask questions, stressed the impulse to smash the field, and asked a question "What do you think you and the role?" The celebrities' unknown answers made me feel that I was asking hard, but it was an invisible spit dragon in a garage.
It back to the movie, the details of the movie do not want to discuss it again. Criticizing it is fine, you can fight back and say that "only see the trees, do not see the forest"; criticize the actor to make a bad shape, you can fight back and say "this is a separate effect." Partially escape.
If I wake up myself to keep respect, I will say: The director, screenwriter, and actor of this film can see it. If I want to be free, I have to say: The director, screenwriter, and actor of this film did not understand the propositions that I tried to express.
Wang Jiawei made "A Grand Master" into a master of golden sentence invention in a generation of fighting and entangled between personal feelings and national enemies. The handsome men and beautiful women across the country, even if they consider Xiao Hong's "golden age" in the "cage", the cage is just sick and poor.
In obviously erected the torii of the time proposition, but he was extremely speculative. He thought that the truth of clothing, dialogue, and details of life could be paved to the sense of the times -this is inevitable that the filmmakers of the movie, the filmmaker of the movie, There is no understanding of the times at all.
The era should be a sense of control. It is an invisible line on the limbs of the characters, not a pattern needle that can be seen on the character's clothing. It made the character produce, and the head of the character was twisted until it died.
The era should be a powerful logic. It can explain why a daughter of a Northeast landlord family fled to Peiping to study with her cousin. The colonial island died under the control of Japan.
The era is not presented, it is not what these past things are — Luo Shengmen, Erxiao's breakup?
This to tell us why these dead people, things, things, are fixed by time as what they are today.
The problem is difficult, but it is not allowed to avoid, especially when the word "era" has been written in the title. You can look for an angle to answer it: Dickens who write orphans, Balzak, who writes the old virgin, Jane Austen who writes the marriage, Wang Xiaobo, who writes adulterer, and even Xiao Hong in the "Hulan River Biography" and "Life and Death Field". They all handed over their answers. However, for this "Golden Age", the three parties of the directors are like students who are naked, and they would rather bribe the examiner to get sympathy to pass the exam.
This answers will create the worst ending: Even if Xu Anhua, Tang Wei and even Xiao Hong, these names can earn too much tolerance and sympathy. However, from the perspective of answering the "Times" proposition, even if it is the Great Career and the Great Corporation of the founding of the country, it is enough to slap each of this film.
wholesale jewelry jobs In the 1930s, Zhang Naiying (Tang Wei), 20, escaped from marriage to school, but was abandoned. Zhang Naiying, who was relying on his fiance Wang Enjia (Yuan Wenkang), still couldn't escape the fate of being abandoned. Fortunately, he met the progressive young man Xiao Jun (Feng Shaofeng) who was working at the newspaper. The two knew each other. Through Xiao Jun and Zhang Naiying, she met the female editor Bai Lang (Tian Yuan), Luo Feng (Zu Feng) husband and wife, and literary writers such as Nie Qianbang (Wang Qianyuan). After renamed "Xiao Hong", she got Lu Xun (Wang Zhiwen), Xu Guangping (Ding Jiali) ’s priority, and then met Hu Feng (Feng Lei), Mei Zhi (Yuan Quan) couple, Jiang Xijiu (Zhang Yi), Ding Ling (Hao Lei), Duanmu Liang (Zhu Yawen Township ) Under the encouragement of the contemporary writers, although the war was constantly and out, Xiao Hong gradually moved to the "golden age" of creation.